SONY FX6 (ILMEFX6) - 4K fullframe camera
4'950.00 CHFinstead of5'500.00 CHF5'350.95 CHF incl.8.1% VAT
Item no.
115.ILMEFX6VDI.EU
Item no.
12 months
Availability
Not available (Lieferbar in 5-10 Tagen)
Sony ILME-FX6 Sony Cinema line FX6
The Sony FX6 offers tomorrow's professional filmmakers and freelancers the opportunity to express themselves cinematically
With its lightweight and modular body, it seamlessly adapts to your filmmaking style without compromising video quality
The camera records superb 4K full-frame quality at up to 120p with minimal rolling shutter, has excellent low-light capability (up to 409,800 ISO), and a wide dynamic range thanks to its 102 MP Exmor R CMOS sensor and new Bionz XR processor It enables more shooting possibilities with S-LOG3 and S-CINETONE image profiles, defining a new era of Sony's Cinema Line Cameras
The Sony FX6 also offers more freedom for shooting video with fast and accurate autofocus technology including Real-Time Eye Autofocus, Real-Time Touch Tracking, and customizable sensitivity for autofocus tracking
It also features a unique variable ND filter to maintain a cinematic look and changing lighting environments for more creative expression
In addition to its small form factor, the Sony FX6 features a detachable smart grip and high-resolution LCD screen, a heat dissipation system for long shooting times, and a long battery life that makes it convenient and stress-free for professional users
The Sony Cinema line FX6 is designed for the future
The following codecs require CFexpress Type A cards XAVC-I QFHD 100/120 fps and XAVC-I FHD150/180/200/240 fps
the sony cinema look |
||
|
|
|
4K full-frame recording at up to 120p with S-CINETONE image profileCinematic colors with the S-Cinetone™ color functionThe S-Cinetone mode, developed for Sony's acclaimed FX9, is the default setting of the FX6 This mode's precisely tuned coloring meets the needs of modern content creators by providing rich colors and natural skin tones With this feature, the camera produces fresh and vibrant images directly without correction, while still providing plenty of room for post-processing
|
 |
Incredible high ISO shotsCapture usable images in near-total darkness with an impressive ISO range of up to 4096001 The full-frame sensor combined with the outstanding speed allows for limitless shooting possibilities
|
|
 |
Beautiful bokeh for creativity in full frameEnjoy the creative freedom of a full-frame sensor and create beautiful images in 4K You'll capture every detail of the scene with shallow depth of field and beautiful bokeh for a true cinematic feel
|
|
EXTELLENT 4K RECORDING |
||
 |
|
4K 120p, 10-bit 4:2:2 recording, up to 15+ stops in dynamic range, variable ND filter, LUTs input4K7 120 BpS with every frame in focus High frame rate shooting transforms everyday activities into elegant series of images The FX6 captures up to 120 frames per second (BpS) at 4K (QFHD) resolution Slow motion and time-lapse modes let you adjust the capture frame rate from 1 to 120 BpS all the way up to beautiful 5x Super Slow Motion (24 BpS), so you have full control and can accurately document motion
|
|
|
||
|
|
|
Large pixels for high sensitivity and low noiseWith the new rear-exposed Exmor RTM 121-megapixel -CMOS image sensor, light intensity, wiring and output have been fundamentally optimized The result is doubled readout speeds, excellent image quality across the entire ISO range, a wide 15-stop dynamic range, and fewer rolling shutter effects In addition, the sensor offers AF phase detection in the focal plane |
 |
Up to 8 times more powerful BIONZ XRTM Image processorIn addition to the new, significantly faster sensor, the BIONZ XR image processor has also been enhanced and now offers up to 8 times the processing power The forward-thinking design delivers faster, high-quality images for outstanding photo and video capture In addition, the camera's user interface is now significantly more responsive |
|
 |
Large dynamic range for unlimited expressionAt the base sensitivity of ISO800 the FX6 offers optimal dynamic range for well-lit indoor shots and outdoor documentary photography ISO 12800 sensitivity is suitable for low-light, morning and evening shooting The FX6 offers dynamic range in 15+ steps-sometimes even beyond the perception of the human eye-for creative freedom in coloring and post-processing |
|
FAST, PRECISE AND ADAPTABLE AUTO-FOCUS SYSTEM
|
||
|
|
|
Fast, accurate, reliable hybrid autofocusThe AF uses intelligent tracking and in-sensor phase detection for subject tracking across nearly the entire frame (627 AF points for phase detection cover approximately 89 % of the frame area) The Hybrid AF system focuses precisely even in shots with shallow depth of field and at high frame rates of 120 bps in 4K (QFHD)
Support for real-time eye AF and face detectionReal-time eye AF and face detection for precise and stable focusing in interviews, events, and anywhere people need to be precisely focused Sophisticated real-time processing enables sharp focus on the eyes, even when not looking directly into the camera and at acute angles for full concentration on the shot |
 |
Powerful focus control for single photographersWith AF transition speed of 7 steps and AF subject change sensitivity of 5 steps, you can better realize your creative ideas when changing subjects and focus |
|
 |
Selecting the AF target with the lens ringWhen the AF Assist function is on, turning the focus ring immediately switches from autofocus to manual focus for quick subject changes Autofocus turns back on as soon as the focus ring is no longer rotated |
|
 |
Autofocus area/positionThe target area of autofocus as well as its mode, such as Flexible Spot, Zone AF, and Wide AF, can be quickly changed by simply touching the LCD during shooting |
|
Pro-level features and extensibility
|
||
|
|
|
Lightweight, modular and robust designDespite its surprisingly lightweight body of 089 kg, the FX6 is rugged enough for real-world demands thanks to magnesium alloy The detachable Smart Grip provides key functions at the touch of a button and is easily adjustable via one button |
 |
Compact and always ready for maximum mobilityThe Smart Handle is ideal for shooting from a frog perspective and contributes to the FX6's modular design It is easily adaptable to any application, such as attaching to a gimbal, drone or underwater housing |
|
 |
Case and frame made of strong, lightweight magnesiumFor reliable operation in demanding conditions, the main housing, covers and top handle are made of a tested, lightweight magnesium alloy The main frame provides strength and durability with light weight for maximum mobility |
|
 |
Architecture to prevent thermal shutdownThe special ventilation system and housing design prevent thermal shutdown when shooting at high frame rates and resolutions in 4K (QFHD) The number of heat sinks, the shape of air inlets and outlets, the location of the low-noise fan, and airflow paths have been carefully calculated to ensure optimal ventilation |
|
 |
10-Bit-4:2:2-AufnahmenCapture directly on-camera with outstandingly detailed 10-bit depth and 4:2:2 color sampling that makes image composition, post-processing, and composition much more flexible |
|
 |
All-Intra encoding optionIn addition to Long GOP, all-intra encoding is now possible This encodes each frame individually at a bit rate of up to 600 Mbit/s, allowing complex motion to be captured more accurately and editing workflows to be more efficient
[1] All-Intra (All-I) [2] Long GOP [3] Group of Pictures |
|
 |
16-bit RAW output via SDIFor post-processing workflows, 16-bit RAW output to compatible external recorders is possible via SDI connection At the same time, XAVC-I files are generated in-camera RAW video output from the image sensor includes 4,096 x 2,160 and 3,840 x 2,160 pixels, respectively, with frame rates of 5994/50/2997/25/24/2398 |
|
 |
Recording modes allow for more creativityThe FX6 offers shooting modes with preset looks such as S-Cinetone, which allows the camera to create beautiful shots, or S-Log3/S-Gamut3 with Cine-EI mode, which provides perfectly exposed images for post-processing |
|
 |
|
|
 |
Smart Grip and Smart HandleSony's ergonomic Smart Grip and Smart Handle allow for single-button adjustments Zoom, record, and assignable control buttons, as well as a dial for aperture control, provide convenient operation |
|
 |
Professional connectivityThere are numerous ports for professional equipment, such as 12G-SDI and HDMI ports, a remote interface, TC ports for synchronizing multiple cameras, and SuperSpeed USB at 5 Gbit/s (USB 32) for fast data transfer |
|
 |
Multi-interface(MI) shoeSony's Multi-Interface(MI) Shoe makes power, signal, and switching connections to compatible Sony accessories, such as wireless microphone systems like the UWP-D21 or UWP-D22 |
|
 |
Supports four-channel audio input and recordingThe four-channel audio input allows simultaneous recording via external microphones and the built-in microphone UWP Series wireless microphones or XLR audio adapters such as the XLR-K3M can also be used with the MI Shoe |
|
 |
Two XLR inputs and improved audio featuresThe FX6's handle has two independent audio inputs, easily accessible XLR connectors for connecting external professional microphones UWP Series wireless microphones can also be connected via the MI Shoe |
|
 |
Flexible HD LCD display with 276 million pixelsThe 35-inch LCD screen enables precise manual focusing in demanding shooting conditions Flexible position and angle adjustment allows for comfortable shooting in a wide variety of shooting scenarios |
|
 |
Quick menu control through touch operationThe LC display allows quick access to the menu A single touch is all it takes to change the codec, camera scan mode, frame size and frequency, ISO base sensitivity, recording mode, and audio level |
|
 |
Two media slots for CFexpress type ATwo media slots support CFexpress type A cards as well as conventional SDXC UHS-I and UHS-II cards for faster buffer emptying and data management At the same time, relay, interval and proxy modes are supported |
|
 |
Networking for high mobilityWi-Fi® connectivity enables numerous advanced wireless features such as remote control via smartphones or tablets and the mobile content browser app Connection is possible via NFC One-touch or manual pairing |
|
 |
Easier editing in Catalyst with metadataThe FX6 records three metadata: image stabilization, clip labeling, camera rotation for easy preview and editing preparation in Catalyst Browse (free) or Catalyst Prepare (small fee) from Sony |
|
TECHNISCHE DATEN
Allgemeines |
Masse |
Ca. 890 g (nur Body) |
|
Ca. 2,59 kg (mit Sucher, Grifffernbedienung, BP-U35-Akku, SEL24105G-Objektiv, Gegenlichtblende, Griff, Mikrofonhalter) |
||
|
Abmessungen (B x H x T) |
114 x 116 x 153 mm (4 1/2 x 4 5/8 x 6 1/8 Zoll) (Body ohne Vorsprünge) |
|
|
Strombedarf |
DC 19,5V |
|
|
Energieverbrauch |
Ca. 18,0 W (während der Aufnahme von XAVC-I QFHD 59.94p, SEL24105G-Objektiv, Sucher EIN, kein externes Gerät verwendet) |
|
|
Betriebstemperatur |
0 ° C bis 40 ° C. |
|
|
32 ° F bis 104 ° F. |
||
|
Lagertemperatur |
-20 ° C bis + 60 ° C. |
|
|
-4 ° F bis + 140 ° F. |
||
|
Batteriebetriebszeit |
Ca. 105min. mit BP-U35-Akku (während der Aufnahme von XAVC-I QFHD 59.94p, SEL24105G-Objektiv, Sucher EIN, ohne Verwendung eines externen Geräts) |
|
|
Ca. 215min. mit BP-U70-Akku (während der Aufnahme von XAVC-I QFHD 59.94p, SEL24105G-Objektiv, Sucher EIN, ohne Verwendung eines externen Geräts) |
||
|
Aufnahmeformat (Video) |
[XAVC Intra] |
|
|
XAVC-I DCI4K 59,94p-Modus: VBR, MAX-Bitrate 600 Mbit / s, MPEG-4 AVC / H.264 |
||
|
XAVC-I DCI4K 50p-Modus: VBR, MAX-Bitrate 500 Mbit / s, MPEG-4 AVC / H.264 |
||
|
XAVC-I DCI4K 29.97p-Modus: VBR, MAX-Bitrate 300 Mbit / s, MPEG-4 AVC / H.264 |
||
|
XAVC-I DCI4K 25p-Modus: VBR, MAX-Bitrate 250 Mbit / s, MPEG-4 AVC / H.264 |
||
|
XAVC-I DCI4K 24p-Modus: VBR, MAX-Bitrate 240 Mbit / s, MPEG-4 AVC / H.264 |
||
|
XAVC-I DCI4K 23.98p-Modus: VBR, MAX-Bitrate 240 Mbit / s, MPEG-4 AVC / H.264 |
||
|
XAVC-I QFHD 59,94p-Modus: VBR, MAX-Bitrate 600 Mbit / s, MPEG-4 AVC / H.264 |
||
|
XAVC-I QFHD 50p-Modus: VBR, MAX-Bitrate 500 Mbit / s, MPEG-4 AVC / H.264 |
||
|
XAVC-I QFHD 29.97p-Modus: VBR, MAX-Bitrate 300 Mbit / s, MPEG-4 AVC / H.264 |
||
|
XAVC-I QFHD 25p-Modus: VBR, MAX-Bitrate 250 Mbit / s, MPEG-4 AVC / H.264 |
||
|
XAVC-I QFHD 23.98p-Modus: VBR, MAX-Bitrate 240 Mbit / s, MPEG-4 AVC / H.264 |
||
|
XAVC-I HD 59,94p-Modus: CBG, maximale Bitrate 222 Mbit / s, MPEG-4 AVC / H.264 |
||
|
XAVC-I HD 50p-Modus: CBG, maximale Bitrate 223 Mbit / s, MPEG-4 AVC / H.264 |
||
|
XAVC-I HD 29.97p-Modus: CBG, MAX-Bitrate 111 Mbit / s, MPEG-4 AVC / H.264 |
||
|
XAVC-I HD 25p-Modus: CBG, maximale Bitrate 112 Mbit / s, MPEG-4 AVC / H.264 |
||
|
XAVC-I HD 23.98p-Modus: CBG, MAX-Bitrate 89 Mbit / s, MPEG-4 AVC / H.264 |
||
|
[XAVC Long] |
||
|
XAVC-L QFHD 29.97p / 25p / 23.98p-Modus: VBR, MAX-Bitrate 100 Mbit / s, MPEG-4 H.264 / AVC |
||
|
XAVC-L QFHD 59,94p / 50p-Modus: VBR, MAX-Bitrate 150 Mbit / s, MPEG-4 H.264 / AVC |
||
|
XAVC-L HD 29,97p / 25p / 23,98p / 59,94p / 50p-Modus: VBR, MAX-Bitrate 50 Mbit / s, MPEG-4 H.264 / AVC |
||
|
XAVC-L HD 29,97p / 25p / 23,98p / 59,94p / 50p-Modus: VBR, MAX-Bitrate 35 Mbit / s, MPEG-4 H.264 / AVC |
||
|
Aufnahmeformat (Audio) |
LPCM 24 Bit, 48 kHz, 4 Kanäle |
|
|
Bildrate aufzeichnen |
[XAVC Intra] |
|
|
XAVC-I DCI4K-Modus: 4096 x 2160 / 59,94 P, 50 P, 29,97 P, 23,98 P, 25 P, 24 P. |
||
|
XAVC-I-QFHD-Modus: 3840 x 2160 / 59,94 P, 50 P, 29,97 P, 23,98 P, 25 P. |
||
|
XAVC-I HD-Modus: 1920 x 1080 / 59,94 P, 50 P, 29,97 P, 23,98 P, 25 P. |
||
|
[XAVC Long] |
||
|
XAVC-L QFHD-Modus: 3840 x 2160 / 59,94 P, 50 P, 29,97 P, 23,98 P, 25 P. |
||
|
XAVC-L HD 50-Modus: 1920 x 1080 / 59,94 P, 50 P, 29,97 P, 23,98 P, 25 P. |
||
|
XAVC-L HD 35-Modus: 1920 x 1080 / 59,94 P, 50 P, 29,97 P, 23,98 P, 25 P. |
||
|
Aufnahme- / Wiedergabezeit |
[XAVC Intra] |
|
|
XAVC-I DCI4K / QFHD 59,94p Bei Verwendung von CEA-G160T (160 GB) Ca. 30 Minuten Bei Verwendung von CEA-G80T (80 GB) Ca. 15 Minuten |
||
|
XAVC-I DCI4K / QFHD 50p Bei Verwendung von CEA-G160T (160 GB) Ca. 36 Minuten Bei Verwendung von CEA-G80T (80 GB) Ca. 17 Minuten |
||
|
XAVC-I DCI4K / QFHD 29,97p Bei Verwendung von CEA-G160T (160 GB): Ca. 60 Minuten Bei Verwendung von CEA-G80T (80 GB) Ca. 29 Minuten |
||
|
XAVC-I DCI4K / QFHD 25p Bei Verwendung von CEA-G160T (160 GB): Ca. 71 Minuten Bei Verwendung von CEA-G80T (80 GB) Ca. 35 Minuten |
||
|
XAVC-I DCI4K 24p Bei Verwendung von CEA-G160T (160 GB): Ca. 74 Minuten Bei Verwendung von CEA-G80T (80 GB) Ca. 36 Minuten |
||
|
XAVC-I DCI4K / QFHD 23,98p Bei Verwendung von CEA-G160T (160 GB): Ca. 74 Minuten Bei Verwendung von CEA-G80T (80 GB) Ca. 36 Minuten |
||
|
XAVC-I HD 59.94pWenn Sie CEA-G160T (160 GB) verwenden: Ca. 78 Minuten Bei Verwendung von CEA-G80T (80 GB) Ca. 38 Minuten |
||
|
XAVC-I HD 50pWenn Sie CEA-G160T (160 GB) verwenden: Ca. 78 Minuten Bei Verwendung von CEA-G80T (80 GB) Ca. 38 Minuten |
||
|
XAVC-I HD 29.97pWenn Sie CEA-G160T (160 GB) verwenden: Ca. 150 Minuten Bei Verwendung von CEA-G80T (80 GB) Ca. 74 Minuten |
||
|
XAVC-I HD 25pBei Verwendung von CEA-G160T (160 GB): Ca. 150 Minuten Bei Verwendung von CEA-G80T (80 GB) Ca. 74 Minuten |
||
|
XAVC-I HD 23.98pBei Verwendung von CEA-G160T (160 GB): Ca. 185 Minuten Bei Verwendung von CEA-G80T (80 GB) Ca. 91 Minuten |
||
|
[XAVC Long] |
||
|
XAVC-L QFHD 29,97p / 25p / 23,98p Bei Verwendung von CEA-G160T (160 GB): Ca. 170 Minuten Bei Verwendung von CEA-G80T (80 GB) Ca. 86 Minuten |
||
|
XAVC-L QFHD 59,94p / 50p Bei Verwendung von CEA-G160T (160 GB): Ca. 115 Minuten Bei Verwendung von CEA-G80T (80 GB) Ca. 57 Minuten |
||
|
XAVC-L HD 50 / 29,97p / 25p / 23,98p / 59,94p / 50p Bei Verwendung von CEA-G160T (160 GB): Ca. 320 Minuten Bei Verwendung von CEA-G80T (80 GB) Ca. 155 Minuten |
||
|
XAVC-L HD 35 29,97p / 25p / 23,98p / 59,94p / 50p Bei Verwendung von CEA-G160T (160 GB): Ca. 430 Minuten Bei Verwendung von CEA-G80T (80 GB) Ca. 210 Minuten |
||
|
Aufnahmeformat (Proxy Audio) |
XAVC-Proxy: AAC-LC, 128 kbps, 2 Kanäle |
|
|
Aufnahmeformat (Proxy-Video) |
XAVC-Proxy: AVC / H.264 High Profile 4: 2: 0 Long GOP, VBR1920x1080, 9 Mbit / s |
|
Linse |
Objektivfassung |
E-Mount |
Kamerabereich |
Bildgebungsgerät (Typ) |
35-mm-Vollbild-CMOS-Bildsensor mit einem Chip |
|
Anzahl der Pixel (insgesamt) |
Ca. 12,9 Megapixel |
|
|
Anzahl der Pixel (effektiv) |
Ca. 10,2 Megapixel |
|
|
Eingebaute optische Filter |
Klare lineare Variable ND (1 / 4ND bis 1 / 128ND) |
|
|
ISO-Empfindlichkeit |
ISO 800/12800 (Cine EI-Modus, D55 Lichtquelle) |
|
|
Verschlusszeit |
64F bis 1/8000 Sek |
|
|
Zeitlupen- und Schnellbewegungsfunktion |
XAVC-I 4096x21601 bis 60 Bilder (59,94 / 50 / 29,97 / 25/24 / 23,98) |
|
|
XAVC-I / L 3840 x 21601 bis 60, 100, 120 Bilder (59,94 / 50 / 29,97 / 25 / 23,98) 1920 x 10801 bis 60, 100, 120, 150, 180, 200, 240 Bilder (59,94 / 50 / 29,97) / 25/23.98) |
||
|
Weissabgleich |
Voreinstellung, Speicher A, Speicher B (2000K-15000K) / ATW |
|
|
Dazugewinnen |
-3 bis 30 dB (alle 1 dB), AGC |
|
|
Gammakurve |
SDR-Modus ：S-Cinetone, Standard, Still, ITU709HDR-Modus: HLG_Live, HLG_Natural |
|
|
Breite |
15+ aufhören |
|
Input-Output |
Audioeingang |
XLR-Typ 3-polig (weiblich) (x2), Leitung / Mikrofon / Mikrofon +48 V wählbarMic Referenz: -30 bis -80 dBu |
|
SDI-Ausgabe |
SDI OUT: BNC, 12G-SDI, 6G-SDI, 3G-SDI (Stufe A / B) |
|
|
USB |
USB Typ C (x1), Multi / Micro-B (x1) |
|
|
Kopfhörerausgang |
Stereo-Minibuchse (x1) -16 dBu 16 Ω |
|
|
Lautsprecher Ausgang |
Mono |
|
|
DC-Eingang |
DC-Buchse |
|
|
Fernbedienung |
Stereo-Mini-Miniklinke (Φ2,5 mm) |
|
|
HDMI-Ausgang |
Typ A (x1) |
|
|
TC-Eingang / TC-Ausgang <Tentativ> |
BNC, TC IN / OUT umschaltbar |
|
|
Griff |
Minibuchse (Φ3,5 mm / 4-polig) |
|
Monitor |
LCD |
8,8 cm (Typ 3,5) Ca. 2,76 Millionen Punkte |
Eingebautes Mikrophon |
Eingebautes Mikrophon |
Omnidirektionales Monoral-Elektret-Kondensatormikrofon (Body) (x1) Stereo-Elektret-Kondensatormikrofon (Griff) (x1) |
Medien |
Art |
CFexpress Typ A / SD-Karte (x2) |
|
Steckplatz B kann zum Speichern von Konfigurationsdaten verwendet werden. |
||
Wi-Fi / NFC |
Unterstütztes Format |
IEEE 802.11 a / b / g / n / ac |
|
Frequenzband [[F_WI0007]] |
Bandbreite 2,4 GHz 5,2 / 5,3 / 5,6 / 5,8 GHz Bandbreite |
|
|
Sicherheit |
WEP / WPA-PSK / WPA2-PSK |
|
|
NFC |
NFC Forum Type 3 Tag-konform |
|
beiliegendes Zubehör |
beiliegendes Zubehör |
Griff (1) |
|
LCD-Monitor (1) |
||
|
Grifffernbedienung (1) |
||
|
Ladegerät (1) |
||
|
Akku (1) |
||
|
Netzteil (1) |
||
|
Netzkabel (1) |
||
|
USB-C-Kabel (1) |
||
|
LCD-Haube (1) |
||
|
Kaltschuh-Kit (1) |
||
|
Objektivdeckel (1) |
||
|
Anschlusskappe (1) |
||
|
vor der Verwendung dieses Geräts (1) |
||
|
Garantieheft (1) |
Not available (Lieferbar in 5-10 Tagen)
Sony Dual Channel UWP-D Kit. 1 x URX-P41D/K33 & 2 x UTX-B40/K33 transmitter (TV-channel 33-41, 566,0
1'425.00 CHFinstead of1'500.00 CHF
Not available (Lieferbar in 5-10 Tagen)
Sony UWP-D Series Kit, including URX-P40 receiver & UTX-B40 body pack transmitter, TV-channel 33-41,
593.75 CHFinstead of625.00 CHF
low availability
Sony UWP-D Series MI Shoe adapter (for URX-P40 & URX-P41D receiver)
42.75 CHFinstead of45.00 CHF
Not available (Verfügbarkeit unbekannt)
Tilta Battery Plate for Sony FX6 Type II - V Mount
166.50 CHF
Not available (Verfügbarkeit unbekannt)
Tilta Camera Cage for Sony FX6 Advanced Kit - V Mount
275.65 CHF
Not available (Verfügbarkeit unbekannt)
Tilta Camera Cage for Sony FX6 Basic Kit (Without Battery Plate)
157.25 CHF
Not available (Verfügbarkeit unbekannt)
Tilta Camera Cage for Sony FX6 Vertical Mounting Kit - V Mount
383.90 CHF
Not available (Lieferbar in 5-10 Tagen)
Sony Sony Battery Charger for BP-U batteries
149.90 CHFinstead of157.79 CHF
Not available (Lieferbar in 2-3 Tagen)
Sony E-Mount Cinema FF 16-35mm G F2.8
4'856.60 CHFinstead of6'475.49 CHF
Not available (Lieferbar in 2-3 Tagen)
Sony E-Mount Cinema FF 16-35mm G F2.8
4'856.60 CHFinstead of6'475.49 CHF
Not available (Lieferbar in 2-3 Wochen)
Zeiss Batis 2/40 CF NEU - Premium CSC-Objektive
1'201.00 CHF
Not available (Lieferbar in 2-3 Wochen)
Zeiss Loxia 5er Objektiv Set (GRATIS Koffer und GRATIS Lens Gears, Ersparnis 1.171,42 €) - Lox
5'726.00 CHF
Not available (Verfügbarkeit unbekannt)
Zacuto Sony Dual Trigger Grips- FS5 and FX6 compatible
845.00 CHF
Not available (Nächste Verfügbarkeit ca. 07.01.2025)
Kondor Blue 8” Straight Low Profile Right Angle XLR Cable (Raven Black)
29.00 CHF
Not available (Lieferbar in 5-10 Tagen)
Angelbird AV PRO CFexpress A 4.0 MK2 1 TB
470.40 CHFinstead of489.99 CHF
Not available (Lieferbar in 5-10 Tagen)
Angelbird AV PRO SD V90 MK2 256 GB | 1 PACK
216.35 CHFinstead of225.39 CHF
Not available (Lieferbar in 5-10 Tagen)
Angelbird AV PRO SD V90 MK2 512 GB | 1 PACK
564.45 CHFinstead of587.99 CHF
Not available (Lieferbar in 5-10 Tagen)
Sony Shotgun Electret Condenser short microphone, super-cardioid
364.25 CHFinstead of383.41 CHF
Not available (Verfügbarkeit unbekannt)
Zacuto Sony FX6 Recoil Pro with Dual Trigger Grips
1'700.00 CHF
Not available (Verfügbarkeit unbekannt)
Zacuto Sony FX6 Z-Finder Recoil Pro with Dual Trigger Grips
2'500.00 CHF
Not available (Lieferbar in 2-3 Wochen)
Chrosziel Handgriffverlängerung m. Bajonettanschluss für Sony ILME-FX6
580.00 CHF
Not available (Lieferbar in 2-3 Wochen)
Chrosziel Hirth-Rosette im Bajonettanschluss der Sony ILME-FX6
50.00 CHF
Not available (Lieferbar in 2-3 Wochen)
Chrosziel Leichtstütze (LWS) mit Schulterpolster für Sony ILME-FX6
911.00 CHF
Not available (Verfügbarkeit unbekannt)
Zacuto Sony Dual Trigger Grips- FS5 and FX6 compatible
845.00 CHF
Not available (Lieferbar in 2-3 Wochen)
Chrosziel Sony FX6 Kit LWS, Top Plate, Griffverlängerung, Rückrohre
1'948.00 CHF
Not available (Lieferbar in 2-3 Wochen)
Bright Tangerine 3/8" Anti-Twist to 15mm Rod Mount
74.00 CHF
We recommend suitably or as an alternative
Not available (Lieferbar in 5-10 Tagen)
Sony 1/2" 3 Chip 4K Handy Camcorder
7'036.50 CHFinstead of7'406.83 CHF
Not available (Lieferbar in 5-10 Tagen)
Sony Full Frame E-mount Camcorder + SELP2813G
12'155.50 CHFinstead of12'795.28 CHF.jpg)
Not available (Lieferbar in 5-10 Tagen)