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RED® V-RAPTOR® XL [X] 8K VV (V-Lock)
41'395.00 CHF44'748.00 CHF incluso.8.1% IVA
Articolo n.
125.710-0394
Articolo n.
24 Monate
Disponibilità
non disponibile (Verfügbarkeit unbekannt)
V-RAPTOR XL X WELTERSTE GROSSFORMAT GLOBAL SHUTTER
Neues Flaggschiff All-in-One-DSMC3-System mit RED Global Vision: Ein Global Shutter Sensor und ein Toolset für beispiellose Flexibilität und Dynamikbereich.
Unvergleichliche Low-Light-Performance, Bildraten, Auflösung und Dynamikbereich, jetzt mit den zusätzlichen Vorteilen eines Global Shutters. Erreicht 3+ Blenden tiefer in die hellsten Highlights, um noch mehr Farbe und Detail zu bewahren.
Phantom Track Dual-Capture vereinfacht jede virtuelle Produktionsumgebung, die GhostFrame™ oder Frame-Remapping nutzt, indem es deutliche R3D-Clips für jede Sub-Frame-Scheibe aufzeichnet, sowie das Monitoring jeder Scheibe live am Set über jede SDI ermöglicht.
V-RAPTOR XL. ENTWICKELT.
Gebaut mit den gleichen Schlüsseleigenschaften, die im Original V-RAPTOR XL All-in-One-System gefunden wurden, aber jetzt aufgeladen mit einem ganz neuen 8K VV Global Shutter Sensor, RED Global Vision, verbesserter Audioleistung und mehr.
8K VV GLOBAL SHUTTER SENSOR
Bahnbrechende neue Bildaufnahme-Technologie und die erste ihrer Art in einer Kinokamera.
GLOBAL VISION
Erweiterte Highlights-Schutz für unvergleichbare Farbe und Detail in den Highlights und Phantom Track Dual-Capture-Modus für maximale Flexibilität und Potenzial in virtuellen Produktionsabläufen.
17+ STOPS DYNAMIKBEREICH
Nutzen Sie die branchenbeste Low-Light-Performance des 8K VV Sensors und entsperren Sie noch mehr Dynamikbereich mit dem Extended Highlights-Modus.
INTEGRIERTE I/O
Flexibles und robustes Strom- und I/O-Ökosystem mit 4K und HD SDI Monitoring, diskretem LUT-Management, intuitiv platzierten Stromausgängen, alles entworfen, um große Produktionen zu unterstützen.
BIS ZU 120FPS BEI 8K
Mit unerreichter Bildratenleistung in einer Kinokamera können Filmer Elemente wie Zeitraffer, Geschwindigkeitsrampen nutzen oder ultra-scharfe Standbilder ziehen.
INTEGRIERTE STEUERUNGSANZEIGE
Leicht zu navigieren und intuitiv. Ermöglicht umfassende Kontrollen, einschließlich In-Kamera-Format-Auswahl, benutzerdefinierte Tasten und mehr.
ELEKTRONISCHES ND-SYSTEM
Internes elektronisch variables ND-System mit 2 bis 7 Blendenstufen in 1/4, 1/3 oder vollen Blendenstufen.
VÖLLIG NEUE AUDIOARCHITEKTUR
Neu entwickelte Audiotechnik bietet saubereren und klareren Klang beim Anschließen externer Mikrofone.
TECHNICAL SPECIFICATIONS
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SENSOR SPECS
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SENSOR TYPE
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V-RAPTOR® [X] 8K VV 35.4MP Global Shutter CMOS
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EFFECTIVE PIXELS
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8192 x 4320
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SENSOR SIZE
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40.96mm x 21.60mm (Diagonal: 46.31mm)
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DYNAMIC RANGE
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17+ stops
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LENS MOUNT
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BUILT-IN ND
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Motorized clear filter and precision controlled electronic ND filter
Electronic ND minimum density 2 stops, maximum density 7 stops
Electronic ND selectable increments of 1/3 stops, 1/4 stops, and 1 stop
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MOUNT TYPE
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Interchangeable Lens Mount, Included V-RAPTOR XL PL Mount (Shimmable)
Optional V-RAPTOR XL Locking Canon EF Mount
Physically compatible with DSMC Lens Mounts, but does not provide electronic communication or control
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MEDIA TYPE
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CFexpress Type B
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BATTERY TYPE
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Integrated Dual Voltage 14/26V V-Lock or Gold Mount Battery Interface
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RECORDING
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MAX DATA RATES
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Up to 800 MB/s using RED branded or other qualified CFexpress media cards1
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REDCODE® RAW
MAX FRAME RATES |
120 fps at 8K 17:9, 150 fps at 8K 2.4:1
140 fps at 7K 17:9, 175 fps at 7K 2.4:1
160 fps at 6K 17:9, 200 fps at 6K 2.4:1
192 fps at 5K 17:9, 240 fps at 5K 2.4:1
240 fps at 4K 17:9, 300 fps at 4K 2.4:1
320 fps at 3K 17:9, 400 fps at 3K 2.4:1
480 fps at 2K 17:9, 600 fps at 2K 2.4:1
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PLAYBACK FRAME RATES
(PROJECT TIME BASE) |
23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions
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BEST AVAILABLE
REDCODE® SETTINGS |
REDCODE HQ, MQ, LQ, and ELQ at 8K 17:9 up to 60 fps
REDCODE LQ and ELQ at 8K 17:9 up to 120 fps
REDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 up to 96 fps
REDCODE MQ, LQ, and ELQ at 6K 17:9 up to 160 fps
REDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 up to 240 fps
REDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 up to 480 fps
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REDCODE® RAW
ACQUISITION FORMATS |
8K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
7K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x
6K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x
5K 17:9, 2:1, 2.4:1, 16:9, 1:1
4K 17:9, 2:1, 2.4:1, 16:9, 1:1
3K 17:9, 2:1, 2.4:1, 16:9, 1:1
2K 17:9, 2:1, 2.4:1, 16:9, 1:1
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APPLE PRORES
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Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT at resolutions up to 4K (4096x2160) 120P
Proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080) up to 60P.
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GENERAL
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CONSTRUCTION
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Aluminum Alloy
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DIMENSIONS
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200.81 mm x 151.38 mm x 165.9 mm / 7.9 in. x 6 in. x 6.5 in. (LxWxH, largest fixed dims.)
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WEIGHT
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7.99 lbs / 3.62 kg (V-Lock with PL Mount)
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DC POWER INPUT
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19.5-34 V via 4-Pin 2B DC-IN
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OPERATING TEMPERATURE
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0°C to 40°C (32°F to 104°F)
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STORAGE TEMPERATURE
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-20°C to 50°C (-4°F to 122°F)
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STORAGE RELATIVE HUMIDITY
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0% to 85% non-condensing
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FEATURES
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RED GLOBAL VISION
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Extended Highlights capability to capture more detail and color in extreme dynamic range scenarios.
Phantom Track recording mode to capture multiple LED instances as dedicated clips.
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COLOR MANAGEMENT
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Image Processing Pipeline 2 (IPP2)
Supports 33×33×33 3D LUTs
Supports import and adjustment of CDLs
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AUDIO
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Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz
Integrated dual channel (mic/line/+48V) input via 5-Pin 00B Audio Port, uncompressed, 24-bit 48 kHz
3.5mm stereo headphone port
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AUTOFOCUS
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Phase Detect with Face Detection
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IP CONNECTED
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Compatible with the RED Connect Module for live 8K R3D video over IP or live 4K over SMPTE ST 2110
Dual band Wi-Fi (2.4 GHz or 5 GHz) for wireless camera control, live preview, and direct Camera to Cloud workflow via FrameIO or Amazon S3
Wired control via USB-C or Ethernet (compatible USB-C to Ethernet adapter1 required) for remote camera control, live preview, direct Camera to Cloud workflow and high speed remote media offload
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POWER OUTPUTS2
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Regulated 12 V Outputs
2x P-TAP Connectors (3AMP Combined)
1x Rear 2-Pin 0B (3 AMP)
1x Rear 2-Pin 0B (1.5 AMP)
1x Front 2-Pin 0B (1 AMP)
Regulated 24 V Connectors
2x Front 3-Pin Fischer (3 AMP Combined)
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MONITOR OUTPUTS
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Proprietary Top Accessory Port for Monitoring and Control
Integrated dual 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes
12G-SDI: Up to 4096 x 2160 4:2:2 for 60p
6G-SDI: Up to 4096 x 2160 4:2:2 for 30p, 25p, 24p
3G-SDI: Up to 2048 x 1080 4:2:2 for 60p
1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 25p, 24p
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
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MONITOR OPTIONS
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DSMC3 RED® Touch 7.0” LCD
RED® Compact EVF with DSMC3 Adapter A
IP streamed 1080p live preview wirelessly or wired via USB-C or Ethernet
Integrated 2.4" LCD for camera control (no preview video)
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ADDITIONAL I/O
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Tri-Level Genlock via BNC
Linear Timecode (LTC) through 5-Pin 0B
PTP and remote camera access via 9-Pin 0B GIG-E
RCP2 Camera Control via 4-Pin 00B CTR
Wireless Genlock and Timecode via integrated Ambient Communication Network (ACN)
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SOFTWARE
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RED CONTROL &
RED CONTROL PRO |
Access full camera controls and live preview from iOS or Android devices.
Pro App: Operate one or multiple cameras over an IP connection to synchronize settings, manage media files locally or upload directly to FrameIO, develop custom looks with advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays, multi-cam shoots, and live events, all from one central location.
Standard app available from the Apple App Store and Google Play Store.
RED Control Pro available via Apple App store only and requires additional purchase.
RED Control works wirelessly or wired via USB-C
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