Blackmagic Studio Camera 4K Pro G2

Designed specifically for professional SDI mixers, this model delivers all the features of Studio Camera Plus plus 12G-SDI, XLR audio, a bright HDR LCD, 5-pin XLR talkback, 10G Ethernet IP connection and HD live streaming.

The ultimate autonomous live production cameras
		The world's most advanced standalone studio cameras are here! In a compact and portable design, Blackmagic Studio Cameras include the same features as large studio cameras. With the dynamic range and color processing of a digital film camera, you can achieve cinematic images even in the most challenging lighting conditions. The sensor is designed for ISO values up to 25,600. This allows you to create amazing images even in dimly lit environments. Even in moonlight! Advanced features include talkback, tally, camera control, an integrated color corrector, Blackmagic RAW recording to USB drives, live streaming and much more. You can even connect focus and zoom demands for iris control.

Designed for live productions

Blackmagic Studio Cameras are designed for live productions with mixers, but can also be used in other ways. Because they record Blackmagic RAW to USB memory, they are practical in all scenarios with tripods. The large 7-inch viewfinder makes the cameras perfect for chat shows, TV productions, news broadcasts, sports, education, conferences and even weddings. The large bright display with side handles, touch screen and buttons makes it easy to follow settings and is still comfortable over long periods of time. Because they weigh so little, the cameras are ideal for frequent location changes and a wide variety of tasks.

Revolutionary studio camera design
		Large broadcasters use expensive studio cameras, which are huge but not particularly portable. Due to their compact camera and viewfinder design, the distinctive Blackmagic Studio Cameras offer the same advantages as the large studio cameras. Their lightweight carbon fiber reinforced polycarbonate housing in mini format has been developed with innovative technology. The cameras are designed for live productions. With the large 7-inch viewfinder, tracking and framing settings is easy. The touch screen offers menus for camera settings. There are rotary knobs for brightness, contrast and focus peaking. A tripod mount with mounting plate for quick setup is included!

Unique low-light performance
		In modern cameras, the ISO values are a measure of the light sensitivity of the image sensor. In natural light or for night shots, the higher the ISO value, the more amplification is possible. The gain of the Blackmagic Studio Cameras from -12 dB (100 ISO) to +36 dB (25,600 ISO) is optimized to reduce film grain and image noise while preserving the full dynamic range. The primary native ISO sensitivity of 400 is made for studio lighting. The secondary high-base ISO value of 3,200 is perfect for shooting in sparse lighting. The gain can be preset from the camera or from a mixer via SDI or Ethernet remote control .

Live productions with cinematic images
		Together with Blackmagic Generation 5 Color Science, the fabulous sensors offer the same imaging technology as digital film cameras. Live productions with cinematic images are now possible. With the integrated DaVinci Resolve Primary Color Corrector, you get significantly better images than with simple broadcast cameras. The corrector can even be controlled from the mixer. With a dynamic range of 13 f-stops, the black values of the camera are darker and the white values are brighter. Perfect for color correction! The right camera for both HD and Ultra HD productions: the 4K models have a resolution of 3840 x 2160 pixels and the 6K model has a resolution of 6144 x 3456. A bonus: All models support 23.98 to 60 fps.

Affordable photo lenses
		The common EF or MFT lens mounts of the Blackmagic Studio Cameras ensure compatibility with a wide range of affordable photo lenses. The quality of these lenses is first class as they are designed for high-resolution photography. Adjust the aperture remotely using the electronic lens mount. Expand the camera with optional Focus and Zoom Demands to adjust the aperture zoom and focus from the tripod handle instead of manually, as with large studio cameras. This allows you to avoid shaking, track settings and operate the camera without taking your hands off the tripod. This works as smoothly as with expensive B4 broadcast lenses.

Framing with large 7-inch viewfinder

The large, high-resolution 7-inch screen will change the way you work with one and the same camera because it makes cadrage much easier. The Pro models have a very bright HDR display. Ideal for outdoor shoots in sunlight! On-screen overlays show status and recording parameters, histogram, focus peaking indicators, levels, frame edge markers, etc. For monitoring, there are even 3D LUTs for color and look as desired. The touchscreen offers menus for loading and customizing presets according to the project. The supplied sun visor can be folded to protect the screen during transportation and is compatible with the sun visors of the Blackmagic Studio Viewfinder.

Physical and touch controls

Blackmagic Studio Cameras have physical buttons and knobs as well as touchscreen controls. The rotary knobs on the right allow adjustments to brightness, contrast and focus peaking. The practical focus peaking control is used to refine the drawing in the highlights in order to focus perfectly when zooming. Functions such as zebra, false colors, focus peaking, LUTs and more can be assigned to the three function buttons on the left. The button assignments can also be changed via the menus. In addition to the head-up display with the most important information about the shoot, the touchscreen offers menus for camera settings, LUTs and custom presets.

Integrated tally for on-air status
		The huge tally light of the Blackmagic Studio Cameras glows red in on-air mode, green in preview mode and orange for ISO recordings. The tally is supplied with transparent clip-on camera numbers. These can be recognized by actors from up to six meters away. For the Tally, Blackmagic Studio Cameras support the same SDI standard as ATEM Live production mixers and the same HDMI standard as ATEM Mini mixers. When the director makes camera cuts, the tally information is sent back to the camera via SDI using the returned program feed. The camera tally lights up when the camera is on air. It bypasses complex wiring and speeds up the set-up process.

Communicate with the director via talkback
		Unlike consumer cameras, Blackmagic Studio Camera models come with SDI connections, including for talkback. This enables the mixer operator to communicate with the camera operators at live events. The director can therefore discuss the shot selection with the camera operators and avoid everyone selecting the same image at the same time. All models support 3.5mm headset jacks designed for smartphones, and the Pro models also support headsets with regular 5-pin XLR connectors. Talkback uses audio channels 15 and 16 of the SDI connection from the camera to the mixer and the returned program feed from the mixer to the camera. Any audio device with embedded SDI can therefore be used for talkback connections.

Powerful broadcast connections

Blackmagic Studio Cameras have various connections for consumer and broadcast devices. All models offer HDMI and 12G-SDI with talkback, tally, camera control and triggering of recordings. Ideal for ATEM Mini and ATEM SDI mixers! There are also headphone and microphone connections and two USB-C expansion ports. The advanced Blackmagic Studio Camera Pro models are designed for broadcast workflows and are equipped with 10GBASE-T Ethernet and balanced XLR audio inputs. With 10G Ethernet for video, tally, talkback and powering the camera over a single connection, your setup is greatly accelerated. It is similar to an SMPTE fiber workflow, but implemented over a much less expensive Category 6A Ethernet copper cable.

Four connection options

Blackmagic Studio Cameras can be integrated into various setups. Thanks to HDMI, all models are suitable for HDMI mixers such as the ATEM Mini. HDMI supports video, tally, control and triggering of recordings for broadcast workflows via a single HDMI cable. There is also 12G-SDI for integrating SDI-based mixers such as the ATEM Constellation. There is one 12G-SDI connection for the camera video and one for the return program. The return program also carries the signals for tally, talkback and remote control of the camera. Alternatively, on Blackmagic Studio Camera Pro models, the 10G Ethernet port is used to transmit the signals for camera video, tally, talkback, camera control and even power over a standard Category 6A Ethernet cable.

Connecting via HDMI

The camera can be connected to mixers such as ATEM Minis via the HDMI output. It also supports signal transport for tally, color corrector and trigger recording from the mixer back to the camera.

Connecting via USB

Because of the large screen, you can even shoot without a mixer. The cameras are fantastic for recording in Blackmagic RAW to USB drives while shooting. Framing settings is also a breeze.

Connecting via SDI

For two-way talkback between the camera and all ATEM SDI mixers, the SDI model uses the SDI output and the feedback SDI program. Tally and camera control are also performed via SDI program feedback.

Connecting via Ethernet

The 10G Ethernet connection enables signal transmission and power supply via a single Cat 6A copper cable. This includes camera video, program feedback, tally, talkback, camera control and more.

Camera control inexpensively via SDI

All ATEM mixers from Blackmagic Design support camera control via a protocol embedded in the camera's SDI video ports. Since ATEM mixers transmit control commands from their SDI program output via the camera's SDI program input, setup is a breeze. The mixer can control color correction, tally and iris and pass this data to all cameras. All you need to do is select the camera number and it works. Even ATEM Mini mixers can control Blackmagic Studio Cameras because their HDMI output transmits data with control information to the camera. This allows the camera operator to concentrate on framing.

Cost-effective workflow with SMPTE fiber optics
		The Blackmagic Studio Camera 4K Pro G2 and 6K Pro models support the connection of cameras via only one Ethernet cable. Just plug it in and you're done! Conventional broadcast studio cameras communicate and draw power via SMPTE fiber. But this is very expensive. As a cheaper alternative, the Blackmagic Studio Camera Pro models have 10G Ethernet. The Ethernet connection transmits the signals for camera video, feedback program feeds, tally, talkback, camera control and provides the power supply. On the mixer side, the Blackmagic Studio Converter converts all video signals and supplies power to the Ethernet cable. So you don't have to connect the camera to the power supply!

Remote cameras for worldwide live streaming

Thanks to the integrated live streaming function, Blackmagic Studio Camera 4K Pro G2 and 6K Pro models can be controlled remotely from anywhere in the world. This allows you to generate an H.264 HD livestream from remote locations and send it back to the studio via the Internet. Simply connect the camera to the Internet via the integrated Ethernet port or connect a 4G or 5G cell phone to the USB-C port for streaming via the mobile network. In the studio, an ATEM Streaming Bridge receives the live stream and converts it back into a video signal for transmission to a mixer. The ATEM Streaming Bridge can also send tally, talkback and camera control signals back to the camera.

USB expansion port for accessories

Blackmagic Studio Cameras have an extremely fast USB-C expansion port. This allows you to record to external storage, control the camera over a network or connect a wide range of accessories. Connect an external USB flash memory and the camera records high-quality Blackmagic RAW files in 12 bit, which can later be edited and color corrected. Simply connect the memory to a computer and off you go. You can save yourself the time-consuming task of copying files. With a USB-C to Ethernet adapter, your camera can even be controlled via a network and user-friendly REST APIs. And you can also pull the files from your camera via the network. Optional focus and zoom demands also allow full lens control, just like a large studio camera.

Fabulous Blackmagic RAW quality

Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of data from your camera sensor. File formats such as H.264 are highly compressed and cause noise and artifacts, resulting in irretrievable loss of sensor data. Blackmagic RAW eliminates this problem and gives you images with incredible detail and color throughout the entire production pipeline. And Blackmagic RAW also saves the camera settings in the metadata for later adjustments of ISO, white balance and exposure in DaVinci Resolve. Thanks to their small size, the files react particularly quickly during editing. Blackmagic RAW gives you the smallest files with the highest quality and fastest performance.

With built-in microphones

Thanks to their internal microphones, Blackmagic Studio Cameras can be set up for sound recording much faster. What's more, the internal microphones are shock and wind resistant. So you can capture great sound even in adverse conditions! One advantage of the studio camera design is the microphones placed on both sides of the screen for a clearer separation of the stereo channels. No regular video camera can do that! The camera also has a 3.5mm audio input for video camera microphones and a 3.5mm headphone socket. The Blackmagic Studio Camera Pro models have professional XLR audio inputs and a built-in speaker for listening to the feedback program sound.

The world's best camera sound

Because microphones are usually placed close to the camera, the Pro models have the best sound capture a studio camera has ever seen. The professional XLR input for two channels of balanced audio supports line levels of +24 dBu. In addition to an equivalent input noise of -131 dBV(A), they are equipped with an ultra-low noise microphone preamplifier with P48 phantom power. This is followed by two analog-to-digital converters for HDR with 117 dB for high-end sound as required by broadcasters and sound engineers. The camera sound is so great that incoming microphone sound via the XLR connection has a higher noise floor.

Monitoring of program video

With Blackmagic Studio Cameras you can view the program video from the mixer at the touch of a button. If you press the PGM button on the camera, the viewfinder switches from the camera display to the program feed fed back from the mixer. The integrated loudspeaker allows you to listen to the sound from the mixer. The program return function is fantastic. For example, when camera operators are waiting for their camera to be used during large live shows, they can follow the program during this time. Even if the camera operator is far away from the mixer, they can follow the action and remain attentive.

Built-in ND filters

With the high-quality, remote-controlled ND filters of the Blackmagic Studio Camera 6K Pro, the amount of light hitting the sensor is reduced in an instant. The filters for 2, 4 and 6 f-stops, designed for the colorimetry of the camera, together with the color processing, give you additional leeway even in bright light. The filtering removes both visible and infrared wavelengths evenly and therefore also IR contamination. The ND filters can be controlled electronically via the function buttons on the back of the camera, via the focus and zoom demands and remotely. Thanks to this remote control, camera operators can concentrate fully on capturing the perfect shot.

Powered by Blackmagic OS

The advanced Blackmagic OS provides you with an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a truly modern operating system in which all camera functions run independently of each other. This ensures smooth control and boots up the camera almost instantly. The controls and menus are the same as other Blackmagic Design cameras, so you can easily switch between different cameras on set. The user interface allows you to adjust settings, add metadata and view recording status with simple tap and swipe gestures. You also have full control over advanced camera features such as focus and exposure tools, 3D LUTs, HDR, metadata input, timecode, Blackmagic RAW settings and more.

Support for cinematic looks with 3D LUTS

Blackmagic RAW files preserve the dynamic range of the camera in logarithmic film gamma. 3D LUTs convert the images so that they do not appear low-contrast and washed out on the viewfinder display. LUTs make the images look better on the LCD. The material recorded in Film Gamma is converted into more appealing images for the LCD. For later use in post-production, 3D LUTs are saved in the Blackmagic RAW files, but are never burned into the image data. They can therefore be deactivated at any time. The 3D LUT always remains in the Blackmagic RAW file, but is only used if it is activated.

Power supply via DC or 10G Ethernet
		Blackmagic Studio Cameras offer numerous options for the power supply. A standard 12V DC power connector with locking mechanism on all models prevents accidental unplugging of the cable. The camera also comes with five AC plug adapters for different countries. If you have connected your Blackmagic Studio Camera Pro model via an Ethernet cable, the camera and its accessories are completely powered via this one cable. Since Ethernet cables are supplied with PoE++ power via the powerful Blackmagic Studio Converter, you do not need to connect the camera to the power supply. This solution is particularly suitable when there is no power connection near the camera.

Kamera-Features

Effektive Sensorgröße

17,78 mm x 10 mm (Four Thirds)

Objektivanschluss

MFT-Bajonett mit elektronischer Blendensteuerung

Blendensteuerung

Blende, Fokus, Zoom mit unterstützten Objektiven

Dynamikumfang

13 Blendenstufen

Dual Native ISO

0 dB und 18 dB Gain

Empfindlichkeit bei 0 dB Gain

f11 bei 2160p/59,94

f12 bei 2160p/50

2000 Lux bei 89,9 % Reflexion

Störspannungsabstand

63 dB bei 2160p

Auflösungen zum Filmen

3840 x 2160 (Ultra HD) bis zu 60 fps

Frameraten

23,98; 24; 25; 29,97; 30; 50; 59,94; und 60 Bilder pro Sekunde.

Offspeed-Frameraten von bis zu 60 fps in Ultra HD

Fokussierung

Autofokus bei Einsatz kompatibler Objektive verfügbar

Bildschirmabmessungen

7 Zoll mit 1920 x 1200 Pixeln

Bildschirmtyp

LCD mit kapazitivem Touchscreen

Bildschirmhelligkeit

2000 cd/m²

Bedienelemente

Touchscreen für Kameraeinstellungen und -menüs sowie Einstellrad, Programmtaste, belegbare Funktionstasten F1, F2 und F3, Drehregler für Helligkeit, Kontrast und Peaking

Montageoptionen

2 x 1/4-Zoll-Stativgewinde

1 x 3/8-Zoll-Stativgewinde

Anschlüsse

SDI-Videoeingänge

SDI-Videoausgänge

SDI-Raten

1,5G, 3G, 6G, 12G

HDMI-2.0-Videoausgänge

Analoge Audioeingänge

2 XLR-Analogaudio-Eingänge, umschaltbar zwischen Mikrofon- und Leitungspegeln. Unterstützt Phantomspeisung.

1 x 3,5mm-Stereoeingang, auch als Timecode-Eingang verwendbar

Analogaudio-Ausgänge

1 x 5-polige XLR-Buchse für Talkback-Headset

1 x 3,5mm-TRRS-Miniklinke für Kopfhörer mit Mikrofon

Referenzeingänge

Für Tri-Sync oder Black Burst bei Einsatz mit optionalem Blackmagic Studio Converter

SDI-Audioausgänge

2 Kanäle Programmaudio eingebettet in 1,5G/3G/6G/12G-SDI. 2 Talkback-Kanäle auf 15 und 16

Fernsteuerung

Fernsteuerung der Kamera über SDI, HDMI oder Ethernet

Ethernet

10 Gbit/s

Computer-Schnittstelle

2 USB Typ-C 3.1 Gen 1 (bis zu 5 Gb/s) Erweiterungsports zur Verbindung mit externen Aufnahmegeräten und Focus und Zoom Demands. USB-C Port A für Softwareaktualisierungen

Audio

Mikrofone

Integriertes Stereomikrofon

Eingebauter Lautsprecher

1 Monolautsprecher

Normen

SD-Videonormen

Keine

HD-Videonormen

1080p/23,98; 1080p/24; 1080p/25; 1080p/29,97; 1080p/30; 1080p/50; 1080p/59,94; 1080p/60;

1080i/50; 1080i/59,94; 1080i/60

Ultra-HD-Videonormen

2160p/23,98; 2160p/24; 2160p/25; 2160p/29,97; 2160p/30; 2160p/50; 2160p/59,94; 2160p/60

SDI-Konformität

SMPTE 292M, SMPTE 424M, SMPTE 425M Level A und B, SMPTE 2081-1, SMPTE 2081-10, SMPTE 2082-1 und SMPTE 2082-10

SDI-Audioabtastfrequenz

Standard-Fernsehabtastrate von 48 kHz und 24 Bit

Medien

2 USB-C 3.1 Gen 1 Erweiterungsports für externe Datenträger zum Aufzeichnen in Blackmagic RAW.

Speicherträgerformat

Formatiert Medien in ExFAT (Windows/Mac) oder HFS+ (Mac) Dateisysteme

Unterstützte Codecs

Codecs

Blackmagic RAW Constant Bitrate 3:1
Blackmagic RAW Constant Bitrate 5:1
Blackmagic RAW Constant Bitrate 8:1
Blackmagic RAW Constant Bitrate 12:1
Blackmagic RAW Constant Quality Q0
Blackmagic RAW Constant Quality Q1
Blackmagic RAW Constant Quality Q3
Blackmagic RAW Constant Quality Q5

Speicher-Features

Speichertyp

2 USBC 3.1 Gen 1 Erweiterungsports für externe Datenträger

Aufnahmeformate

Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 und Q5 in Ultra HD 3840 x 2160 mit der ausgewählten Framerate

Speicherraten

Berechnung der Speicherraten basierend auf 30 Frames pro Sekunde

3840 x 2160 (Ultra HD)

Blackmagic RAW 3:1 - 127 MB/s
Blackmagic RAW 5:1 - 77 MB/s
Blackmagic RAW 8:1 - 48 MB/s
Blackmagic RAW 12:1 - 32 MB/s
Blackmagic RAW Q0 - 96–190 MB/s
Blackmagic RAW Q1 - 64–153 MB/s
Blackmagic RAW Q3 - 43–109 MB/s
Blackmagic RAW Q5 - 26–64 MB/s

Die angegebenen Speicherraten für „Constant Quality“ dienen nur als Anhaltspunkt.

Die tatsächlichen Speicherraten hängen allein von den dargestellten Bildmotiven ab.

Steuerung

Externe Steuerung

Blackmagic Zoom Demand und Blackmagic Focus Demand zur Steuerung von Kamera und Objektiv vom Stativgriff aus.

Blackmagic Control Protocol via SDI und HDMI zur externen Steuerung mit einem kompatiblen ATEM Mischer über ATEM Software Control oder ein ATEM Camera Control Panel. Umfasst die Steuerung einiger Kameraeinstellungen, Fokus-, Blenden- und Zoomsteuerung kompatibler Objektive, Farbkorrektor, Tally, Aufnahmestart/stopp für externe Datenträger via USB-Erweiterungsport

Farbkorrektor

DaVinci YRGB

Talkback und Tally

Live-Tally-Anzeigen

1 Anzeige vorne, sichtbar für Darsteller

1 Anzeige hinten, sichtbar für den Operator

Talkback

SDI-Kanäle 15 und 16

Software

Inbegriffene Software

Blackmagic Camera Setup Software für Mac und Windows

Betriebssysteme

Mac Monterey 12.0,
Mac Ventura 13.0 oder höher

Windows 10, 64 Bit

Strombedarf

Stromversorgung

1 externes 12V-DC-Netzteil für 60 Watt

Stromeingänge

1 verriegelbare 12V-DC-Buchse für 5,5-mm-Hohlstecker

1 vierpolige XLR-12V-DC-Buchse für externe Stromversorgung oder Akkuaufladung

1 RJ45-Ethernet-Port für Strom von PoE-Netzteilen Typ 4

Energieverbrauch

26–40 Watt über die DC-Buchse

30–46 Watt über den PoE-Port

Optionales Zubehör

Blackmagic Focus Demand

Blackmagic Zoom Demand

Blackmagic Studio Converter

ATEM Mini Mischer

ATEM Television Studio Pro Mischer

Blackmagic 3G-SDI Shield for Arduino

Physische Spezifikationen

Umgebung

Betriebstemperatur

0–40° C

Lagerungstemperatur

-20–45 °C

Relative Luftfeuchtigkeit

0–90 % nicht kondensierend

Im Lieferumfang enthalten

Blackmagic Studio Camera 4K Pro G2

Blackmagic Studio Camera Gegenlichtblende

Passende Stativbefestigung für 15-mm-Leichtgewichtschienen

Modulverschlusskappe

12V-DC-Netzteil mit Verriegelung und passenden internationalen Steckeradaptern für die meisten Länder

Garantie

12 Monate eingeschränkte Herstellergarantie

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